Tuesday, 16 December 2014

The Opinion Makers II - 16th December 2014 to 11th January 2015 - London

Katrina Blannin with Kate Terry | Maurice Carlin with Jade Montserrat | Sue Cohen with Shona Davies and David Monaghan | Stephen Chambers RA with Simon Burton | Richard Ducker with Hannah Patching | Bella Easton with Juliette Losq | Zavier Ellis with Florian Heinke | Karl England with Daniel Devlin | Rebecca Fortnum with Beth Harland | Marcus Harvey with Edmundo Arigita | Bill Howard with Melanie Clifford | Keran James with John Summers | Reece Jones with Alex Gene Morrison | Stephen Lee with Christopher Barrett | Iavor Lubomirov with Daryl Brown | Janette Parris with Neal Tait | Artemis Potamianou with Wolfgang Berkowski | Julie René de Cotret with Robert Hengeveld | Carl Slater with Tom Lovelace | Benet Spencer with Tim Ellis | Peter Suchin with Julian Wakelin | Mark Titchner with Alexander Tucker and Daniel O’Sullivan


Private View: Tuesday 16th December, 6-9pm

Talk: Sunday 11th January

Exhibition Dates: 16 December 2014 to 11 January 2015, Tuesday to Saturday, 12-6pm
Address: Londonewcastle Project Space, 28 Redchurch St, London E2 7DP
Nearest Station: Shoreditch High Street (National Rail and Overground)

“Many artist-curators, curators and artists began their careers in artist run spaces; initially these spaces were established as an alternative to museums and galleries. In recent years Project Spaces have become part of the established art system and have been incorporated into large-scale exhibitions and biennials.” - Birchall & Mabaso, ONCURATING Issue 19

Artists choose art in a particular way, arguably their choices and interests are motivated or coloured by concerns within their own practice. Conversely, when curators or writers are practising and exhibiting artists in their own right, there is a potential opportunity to discover - through the medium of their art - curatorial and critical motives which are either consciously or subconsciously unavailable in an exhibition itself, nor in its supporting materials, such as press releases and articles. The Opinion Makers series of exhibitions is conceived as paired juxtapositions; each pair comprising one work by an artist who curates or writes, together with one work by an artist of their choice. It is a pragmatic attempt to use artists as curators as an explicit tool for understanding curation. It is also a statement about the significantly expanded presence of the artist-led approach in the contemporary art landscape. The Opinion Makers is organised by Iavor Lubomirov and Bella Easton – artists, curators and directors of the ALISN network and the LUBOMIROV-EASTON Project Space. The first Opinion Makers exhibition took place at Enclave Gallery in 2013. The second in this evolving series, presents at Londonewcastle Project Space the work of international, as well as UK artists, curators and critics, to give a glimpse of a rising global trend of artists devolving new organisational, curatorial and critical roles upon themselves.









100 Painters of Tomorrow - New York - 7th November to 8th December



NEW YORK BOOK LAUNCH & EXHIBITION
23 Warren Street (between Church & Broadway), New York, 10007.
Preview: Thurs 6 Nov 6-9pm / Exhibition: 7 Nov – 6 Dec, 2014

List of exhibiting artists: Henrietta Acloque, Leslie Baum, Dan Brault, Benjamin Brett, Andrew Brischler, Jorge Castellanos, BB Chokra, Tomory Dodge, Freya Douglas-Morris, Tim Ellis, Matilda Enegren, Michael Fanta, Robert Fry, Kate Gottgens, Shahryar Hatami, Hannah Hewetson, Alon Kedem, Jenny Kemp, Tamara K.E, Frank Maier, Tonje Moe, Gorka Mohamed, Caroline Mousseau, Mark Nader, Kaido Ole, Selma Parlour, Yelena Popova, Heriberto Quesnel, Omar Rodriguez-Graham, Andrew Salgado, Andrew Sendor, Nicola Staglich, Shaan Syed, Jirapat Tatsanasomboon, Leila Tschopp.
For sales inquiries and/or acquisitions for any of the works included in ’100 Painters of Tomorrow’ kindly email info@100paintersoftomorrow.com;


United in Different Guises CXCVIII
2014
Acrylic, cotton and bulldog clips
76cm x 45cm


United in Different Guises CCI
2014
Acrylic, cotton and bulldog clips
76cm x 45cm

Saturday, 1 November 2014

Finding Comfort in an Unknown Future - Solo Exhibition - Fold Gallery London

Finding Comfort in an Unknown Future - Solo Exhibition - Fold Gallery London

Saturday 18th October - Saturday 22nd November 2014


FOLD Gallery is pleased to present a solo show of new work by Tim Ellis, his first at the gallery. The exhibition comprises a series of paintings and three-dimensional collages, which use a range of sources and materials. Their appearance is suggestive of totemic importance, reminiscent of the relics of a long forgotten society.

In accord with Ellis’ artistic interest and ritual, the sculptures are constructed from reclaimed man-made fragments from a variety of environments. Grazed and ocean-worn forms, deposited on the shores of Orkney, are juxtaposed against debris from the city and architectural elements sourced from reclamation yards. These found forms are distilled and reconstructed to create objects that could potentially serve or offer a purpose. Perhaps seen as urns encapsulating the uncertainty of what lies beyond the present or totems offering comfort and reassurance in the unknown.

A series of paintings, each with their own symbolic imagery, create a backdrop for the sculptures to perform in front of. Abstracted from pre-existing designs and manipulated physically to suggest a function, each possesses their own intrinsic code. The true nature of what they represent or stand for remains abstract but seemingly familiar through the repetition of the material decisions. The graphic shapes dimensionally and directly respond to the sculptures, alluding to the possibility that they were once intertwined and communicating as one.

The exhibition invites the viewer to participate in philosophical meditation, promoting questions regarding the quintessence of a universal cyclical. In a beginning……lies an end….the end is where we start from……








Thursday, 30 October 2014

The MAC International

http://themaclive.com/mac-international-2014

MAC International is the MAC's first ever open arts prize, which offered professional artists worldwide the opportunity to exhibit in the MAC.

A substantial prize of £20,000 has been awarded to the artist deemed to have made an outstanding contribution to the exhibition. This is the largest art prize in Ireland and one of the few major prizes in the UK.

The exhibition, which runs across all three MAC galleries, offers you the very best in contemporary visual art across all art forms including sculpture, painting, photography, film, installation and performance.

MAC International has built on the innovative visual art practice developed by the MAC and offers a similar experience to the Turner Prize in Derry-Londonderry as part of 2013's City of Culture.

A jury of respected international curators whittled down over 1,000 entries to the final shortlist of exhibiting artists before finally selecting one winner on Thursday 30 October, 2014.

The winner of the MAC International Ulster Bank Prize 2014 is Mairéad McClean.

Jury 

A jury of respected international curators including Francesco Bonami, an Italian art curator and writer who is currently the Artistic Director of Fondazione Sandretto Re Rebaudengo in Turin, and Judith Nesbitt, Head of National and International Partnerships at Tate, London, will select the winner. 

The shortlisted artists are: 
Rolando Vargas - Film (Santa Cruz, USA
Lenz Geerk - Painting/sculpture (Dusseldorf, Germany
Andrew Cranston - Painting (Glasgow, Scotland
Zimoun - Sound installation (Switzerland
Jordan Baseman - Film (Glasgow, Scotland
Darek Fortas - Photography (Dublin, Republic of Ireland
Harri Palviranta - Photography (Helsinki, Finland
Roxy Walsh and Sally Underwood - Painting /installation (London, England
Salla Tykka - Film (Helsinki, Finland
Hanibal Srouji - Painting (Beirut, Lebanon
Maria McKinney - Sculpture (Dublin, Republic of Ireland
Mike Harvey - Film (London, England
Grace Ndiritu - Photo/archive based installation (Birmingham, England
Tim Ellis - Painting (London, England
Shelly Nadashi - Film (Brussels, Belgium
Euyoung Hong - Installation (South Korea
Tsahi Hacmon - Sculpture/Installation (Israel
Dougal McKenzie - Painting (Belfast, Northern Ireland
Cian Donnelly - Performance (Rome, Italy
Steven Baelen - Drawing (Gent, Belgium
Ulf Lundin - Film (Enskede, Sweden
Mairead McClean - Film (London, England
Charbel Samuel Aoun - Sculpture/installation (Lebanon
Colin Darke - Sculpture (Belfast, Northern Ireland)









Monday, 22 September 2014

'Open 17' - International exhibition of sculptures and installations - Venice Lido & San Servolo Island - Venice, Italy.

'Open 17', International exhibition of sculptures and installations, Venice Lido & San Servolo Island, Venice, Italy.







ARTISTS
Bangladesh - Avi Shankar Ain
Germany - Irene AntonIris Brosch,Federico Schiaffino
Great Britain - Mark AspinallTim Ellis
Italy - Marco AgostinelliCaCO3Roberto CambiLuciano ChineseEracle DartizioDuilio ForteFlavio MarzadroMiresiFabio RanzolinMaria Teresa Sabatiello,Wolfgang Zingerle
Norway - Andrew Barton
The Netherlands - Erik Wijntjes
Peru - Ana Maria Reque
Russia - Sasha Frolova
Spain - Manuel Martí MorenoDavid Sánchez León
Ukraine - Victor Sydorenko
National Taiwan University of Arts - CHEN Ting-ChangCHIU Fang-YiKOU Che-YinLAI Mei-JuLIN Yu-ChenLU Ching-ChenTanes Naipanich




OPEN, the International Exhibition of Sculptures and Installations, will celebrate its seventeenth edition from 28th August to 28th September 2014 at the same time as the Venice Film Festival.
More than thirty international artists will take part with site-specific projects in the public areas of Venice Lido and the Island of San Servolo.
Conceived and curated by Paolo De Grandis, co-curated by Carlotta Scarpa, the exhibition is organised by PDG Arte Communications in collaboration with the Municipality of Lido Pellestrina and is held under the patronage of the Italian Ministry of the Cultural Heritage, the Ministry for Foreign Affairs, the Veneto Region and the Province of Venice.
At OPEN the combination of sculpture and the environment is an inexhaustible and fascinating theme, thanks to the strong conceptual matrix that is renewed with the aim of presenting the many aspects of artistic expression.The necessary counterpart is the urban spaces and green areas of a territory viewed in the complexity of its anthropological and cultural values.
Over the years OPEN has created a strong genius loci thanks to the presence of countless international artists, who have brought different cultures and traditions to the island, redefining its cultural substratum. And so every year a broad horizon of linguistic experimentation is created, whose options in the case of sculpture have become more and more sensitive to the choice of materials, whether they be those of traditional sculpture or something more akin to industrial production, right up to installations that can undergo the most surprising processes of re-semantisation.
At OPEN, sculpture, installation and environment compete on a parallel plane susceptible to the artist’s personal vision, in a conceptual and poetic path able to contend with certain ritual and symbolic aspects of public spaces.
OPEN’s research is therefore free from any preconceived or somehow acquired methods of communication and language, but it develops in progress, taking on all the risk of the result.
OPEN seeks to define certain ambits, certain contexts that enrich this art factory, declined not only in the canonical form, but also in those border areas where creativeness has to contend with communication, its mechanisms and its aims. Among the many possible interpretations there is the continuous alternation of sensitivity in imagining contemporary art and the fil rouge of collaboration between artists, curators and promoting bodies that share exciting artistic synergies. Collaboration among curators is renewed with Chang Tsong-zung for China, Ebadur Rahman for Bangladesh and Yang Wen-i for Taiwan. In particular, young artists from the National Taiwan University of Arts will be presented, along with an educational project that will be held with a workshop for children between 4 and 10 years of age. There will be an opportunity of exchange between Taiwanese and Venetian children to learn and experiment the techniques of calligraphy.
A documentary organised and produced by Marco Agostinelli will talk about the great challenge of OPEN and the man behind it, Paolo De Grandis. During the inauguration the artist Iris Brosch will do a performance with a video shot in the Isola di Poveglia.
During the exhibition the fifth edition of the Laguna Art Special Prize will be assigned to a young artist selected by the Laguna Art Prize jury. This award will offer the winner the possibility to be included among the finalists of the Laguna Art Prize 2015 and to show his or her work on the circuit organised by the same association.
OPEOPEN renews the osmosis between different cultural words, it creates itself in the open air through spontaneous and interactive movements.





Sunday, 15 June 2014

Icastica, Arezzo, Italy 2014. 14th June - 31st October.

ICASTICA significa “arte di rappresentare la realtà”. Icàstico – aggettivo, dal greco εἰκαστικός «rappresentativo», derivazione di εἰκάζω «rappresentare» – vuol dire rappresentazione efficace, incisiva, perciò suggestiva e, in questo senso, sintetica. Tale rappresentazione, nell’uso contestuale, rifugge il confine del riguardare un’azione sugli oggetti, e s’inserisce invece nella dimensione di atto espressivo diretto alla specificità di un significante modale anziché sostanziale…
ICASTICA 2014 è la seconda edizione di una manifestazione culturale che tratta l’estetica internazionale, attraverso arte, spettacolo, giornate di studio. ICASTICA 2014 s’incentra sul tema della rinascita, secondo il criterio della “crisi positiva”, quel fenomeno che si pone all’origine del tutto, poiché dal tutto origina. Quando si pensi al concetto di generazione, non è infatti possibile distanziarsi dai termini della violenza creatrice dalla quale scaturisce quiete e bilanciamento. Di qui il concetto del negativo quale opportunità…
L’arte, come dimensione dell’esperienza, dunque della storia, è qui chiamata a simboleggiare ciò che sta intorno al “punto di crisi”; è tutto quel che circonda la consapevolezza della soluzione; è catarsi, percorso sublimato
http://www.icastica.it/indoor/
Installation View: Palazzo di Fraternita, 'Icastica', Arezzo, Italy 2014

Installation View: Museo Casa di Ivan Bruschi, 'Icastica', Arezzo, Italy 2014

Installation View: GCAC - Galleria Civica d'Arte Contemporanea, 'Icastica', Arezzo, Italy 2014

Installation View: GCAC - Galleria Civica d'Arte Contemporanea, 'Icastica', Arezzo, Italy 2014

Installation View: GCAC - Galleria Civica d'Arte Contemporanea, 'Icastica', Arezzo, Italy 2014

:: Basilica di S.Domenico / p.zza S.Domenico
Cimabue – Crocifissione del Cristo
(soggetto dell’opera di Per Barclay NORVEGIA esposta in GCAC)
:: Museo Statale Casa di Giorgio Vasari / via XX Settembre, 55
Barry X Ball USA
:: Museo Statale d’Arte Medievale e Moderna / via S.Lorentino, 8
Costas Varotsos GRECIA
:: Palazzo Comunale
Javier Marin MESSICO
:: Museo Casa di Ivan Bruschi / c.so Italia, 14
Tim Ellis INGHILTERRA
:: Palazzo di Fraternita / p.zza Grande
Tim Ellis INGHILTERRA
:: Sala S.Ignazio / via G.Carducci, 7
Michelangelo Pistoletto ITALIA
:: Palazzo Chianini-Vincenzi / via A.Cesalpino, 15
Pedro Cabrita Reis PORTOGALLO
:: GRACE Gallery / via C.Cavour, 30
Julie Legrand FRANCIA
:: Palazzo Lambardi / c.so Italia, 60
Michelangelo Pistoletto ITALIA
:: GCAC – Galleria Civica d’Arte Contemporanea / p.zza S.Francesco, 4
reperti da Tebe, Volterra, Ercolano, Firenze 1966; Rashad Alakbarov AZERBAIJAN; Barry X Ball USA; Per Barclay NORVEGIA; Robert Barta REPUBBLICA CECA; Yves Dana EGITTO; Wim Delvoye BELGIO; Tim Ellis INGHILTERRA; Damien Hirst INGHILTERRA; Julie Legrand FRANCIA; Andrei Molodkin RUSSIA; Andres SerranoUSA; Tatjana Valsang GERMANIA; Fabio Viale ITALIA; Brigitte Zieger GERMANIA
:: Basilica di S.Francesco / p.zza S.Francesco
Piero della Francesca – Leggenda della Vera Croce
Antony Gormley INGHILTERRA
:: Sottosagrato di S.Francesco / p.zza S.Francesco
Daniel Canogar SPAGNA
:: NERO Design / p.zza S.Francesco, 5
Julie Legrand FRANCIA
:: Museo Statale Archeologico Mecenate / via Margaritone, 10
Pascale Marthine Tayou CAMERUN